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Showing posts with label Jacobsen. Show all posts
Showing posts with label Jacobsen. Show all posts

Tuesday, August 2, 2011

Some People


(Coney Island Crowd, 1940, photograph by Weegee,
pseudonym of Arthur Fellig, 1899-1968, New York
City photographer)

“Outside of a dog,” Groucho Marx said, “a book is a man’s best friend. Inside of a dog, it’s too dark to read.”

SOME PEOPLE

Some people
ascend out of our life, some people
enter our life,
uninvited and sit down,
some people
calmly walk by, some people
give you a rose,
or buy you a new car,
some people
stand so close to you, some people,
you've entirely forgotten
some people, some people
are actually you,
some people
you've never seen at all, some people
eat asparagus, some people
are children,
some people climb up on the roof,
sit down at table,
lie around in hammocks, take walks with their red
umbrella,
some people look at you,
some people have never noticed you at all, some people
want to take your hand, some people
die during the night,
some people are other people, some people are you, some people
don't exist,
some people do.

~ Rolf Jacobsen (1907-1994), Norwegian poet

Friday, April 22, 2011

Tears


(Josephine Jacobsen, poet laureate, 1971-1973)

TEARS

Tears leave no mark on the soil
or pavement; certainly not in sand
or in any known rain forest;
never a mark on stone.
One would think that no one in Persepolis
or Ur ever wept.

You would assume that, like Alice,
we would all be swimming, buffeted
in a tide of tears.
But they disappear. Their heat goes.
Yet the globe is salt
with that savor.

The animals want no part in this.
The hare both screams and weeps
at her death, one poet says.
The stag, at death, rolls round drops
down his muzzle; but he is in
Shakespeare’s forest.

These cases are mythically rare.
No, it is the human being who persistently
weeps; in some countries openly, in others, not.
Children who, even when frightened, weep most hopefully;
women, licensed weepers.
Men, in secret, or childishly; or nobly.

Could tears not make a sea of their mass?
It could be salt and wild enough;
it could rouse storms and sink ships,
erode, erode its shores:
tears of rage, of love, of torture,
of loss. Of loss.

Must we see the future
in order to weep? Or the past?
Is that why the animals
refuse to shed tears?
But what of the present, the tears of the present?
The awful relief, like breath

after strangling? The generosity
of the verb “to shed”?
They are a classless possession
yet are not found in the museum
of even our greatest city.
Sometimes what was human, turns
into an animal, dry-eyed.

~ Josephine Jacobsen (1908-2003), Canadian-born American poet

Sunday, September 19, 2010

Fireflies


(Fireflies on the Water, installation with lights, mirrors,
and water at the Whitney Museum, 2002, by Yayoi Kusama,
born 1929, Japanese painter, performance artist, and creator
of installation art)

It’s my wedding anniversary today.

FIREFLIES

It was that evening with fireflies
while we were waiting for the bus to Velletri
that we saw two old people kissing
under the plane tree. It was then
you said, half to the air
half to me:
Whoever loves for years
hasn’t lived in vain.
And it was then I caught sight of the first
fireflies in the darkness, sparkling
with flashes of light around your head.
It was then.

~ Rolf Jacobsen (1907-1994), Norwegian poet